#it’s just a screen. it’s basically a tv that only has one channel and a heater & fan behind it

[izzyspussy]

the fact that they made it illegal to make ads louder than programs on tv in 2010 but haven't updated it to apply the same regulation to streaming. who do i have to call.

[icewindandboringhorror]

Various images from the past year or so... posting my evil little photo diary collections once again..

[fingertipsmp3]

I approach spiritualism the same way I approach driving. Everyone who’s less spiritual than me is a stick in the mud skeptic, everyone who’s more spiritual than me is delusional

[onesidedradiostatic]

Concept: Vox actually has a TV remote connected to his head. He keeps it mostly confiscated so no one can control him, although the only people who know where the heck it even is are The other Vees. Sometimes they take it out of the confiscated area and use it on him just to fuck with him, and in doing so, can scroll through his different thoughts/parts of his brain/sides that, delightfully enough, get projected on to his screen. Some nights they get drunk and Val + Velvette take it out of Vox's hiding place, scrolling through the "channels" in Vox's head (which all may project his different emotions in the moment -- it goes from his usual rage, to begging for mercy, amusement, to annoyance, and so on) and laughing their arses off every time they see a side that Vox wanted to keep hidden. And here's the sugar on the cream (/ref); the One Sided Radiostatic addition to this is that one of the channels ended up being LITERALLY nothing but lolligagging about while going on and on about Alastor. Like. They're continously switching his channels and suddenly he exclaims "ALASTOR WOULDN'T DO THIS TO ME!" oh-so-hopefully, and continues to whine similar things, as well as declarations of hatred towards Alastor. (Basically spotlighting how this guy lives so rent free in his mind there's quite literally a 24/7 Alastor channel there)

For obvious reasons, the Vees find this hilarious and keep him on this channel for the rest of the night, as Velvette records it and posts it on social media.

The news eventually gets to Alastor and and thus he broadcasts the audio from the video across hell through his station one evening, literally only because he just thinks it's too funny, and he wants to spite Vox. He's completely repulsed by anything even remotely romantic or sexual within "the Alastor Channel" in Vox's mind, and he just does not give a shit.

Vox is reasonably fuming so much that he crashes, although no matter what, if you switch to that one channel in Vox's TV, he'll always be talking about Alastor.

((THIS IS MY FIRST TIME ASKING SOMETHING ON THIS BLOG SO HOPEFULLY THIS IS GOOD -- TA DAAAAA))

-🐇Rabbit Anon

I think vox is an absolute idiot if he didn't just break the remote immediately. see personally I think it makes vox even more pathetic if he looked pathetic when he does things of his own volition, but he does also probably deserve this all things considered LMAKASOFGKO. next time he should learn to just not be an idiot and break the remote before his stupid colleagues can abuse it

[maygrcnt]

Your post about the loft is so true but also it hit me that this is another thing that made me pause when Tommy actually LIKED the loft in 7x04. He clocked it as expensive and appreciated the big empty nature of it. Which is interesting if we apply it to perception of homes and people needing to match.

im hijacking this ask to talk about something else but i promise its related and ill circle back to what you said bc ohhh anon your mind i LOVE this. it relates so completely perfectly to a meta i was talking about the other day with @treasurehuntbuck that has to do with the phrase “fake mouth static”

official disclaimer: it’s called meta because it digs into the meta textual implications of on screen elements that aren’t explained explicitly. i’m not grasping at straws, it’s just a personal analysis so pls, preemptively shut up about how unfounded this is because: that’s the point

anyway, i was mentally stuck on “fake mouth static” for a while because idk its such an important turn of phrase and moment in the bt relationship and a phrase that was not only said but repeated a few times in that pivotal first kiss scene. and now maybe im just fresh off my hispanic literary analysis course but i seem to remember that repetition in storytelling is basically just pointing a big red neon sign at a concept and saying THERES SOMETHING MORE HERE to the reader.

first the word fake, exactly what’s there. pointing to phony, dummy, not real. it may feel new and exciting but it’s not quite the real thing that we know buck is searching for. fake also makes me think of “i guess” because… if it feels like a lie to the viewers, if tommy was surprised by the fact… well maybe it was fake?

and then static rly gets me because what is static but the absence of content right? when a radio isn’t tuned to a station there’s static. when the tv is on a dead channel there’s static. it’s placeholder fuzz for something that should be entertainment. so take with that what you will.

and i bring THAT personal analysis up because it fits very well with the idea you bring up about the loft. tommy likes the loft; the void, the static, the fake. tommy being interested in the loft seems like one more to add to my growing pile of reasons they seem to be more of a fascade than a relationship. what they represent is more than what they are.

[puhpandas]

Decennial

(2,396 words)

Evan and Gregory, now age twenty-two, celebrate the tenth anniversary of their meeting in the comfort of their shared apartment.

Its already the afternoon when Evan meets Gregory at the couch in their shared apartment, smartphone in hand. Gregory glances up from whatever he was watching on TV, quickly grabbing the remote to pause the channel.

He doesn't even have a chance to greet him before he notices Evan's face. Worry quickly creases his brows, and he moves to get off of the couch. "Evan? Hey, what's wron--"

Evan tries to convey that everything's fine with no words. Because it's true. He just can't muster any up right now. When Gregory seems to understand enough, that's when Evan thrusts his phone into Gregory's line of sight.

Gregory shifts on the couch, taking the phone and studying the screen to no avail. Hes pulled up the calendar on his phone, the date reading March 4th, 2045. Gregorys brows furrow, then, "Uh. I dont understand."

Evan would have rolled his eyes if he weren't so emotional right now. He scoffs, tapping the screen and mumbling "The date. Look at the date."

It only takes another moment for Gregory to understand. Evan can almost see the gears turning in his friends head in the moments before he gasps sharply. "Oh!"

Gregory doesn't look away immediately, just taking it in as if it surpises him. "Its ten years since we met today."

Evan nods at that. A small smile stretching on his face when Gregory finally turns to look at him.

But he should know by now -really, it's been ten years after all- that Gregory knows him. Probably better than Evan himself.

"What's with that look?" Gregory questions, seemingly noticing how Evans smile doesnt quite reach his eyes. "You look sad."

Evan shakes his head immediately. "No-- that's not it." He replies, feeling a bit more fit to speak. "Its just..."

"Ten years?" Gregory prompts, and Evan nods. Gregory seems to get it. He sighs a bit, and Evan can tell hes not alone in reminiscing. "Jeez. Thats..."

"...A long time ago." "A big number." They say at the same time.

Evan joins Gregory on the couch, taking his phone back. Ten years. Ten years since he met Gregory. Ten years since Evan had been that little ball of anxiety. Ten years since the best thing that ever happened to him.

Nine years since their first holidays together. Eight years since they started high school. Four since they graduated. Three since they started college.

One year since they got their first apartment together.

Evan chuckles all of the sudden, loud as a jet engine in the seemingly silent room. "Do you remember what we always wanted to do as kids?"

Gregory only has to think for a moment. "You mean what we made a reality?"

"Yeah." Evan replies. "We got that apartment. Not exactly the college dorm we imagined, though."

"Psh. Are you kidding? Our apartment is way better than any dorm we could have gotten." Gregory scoffs. "We would have like. One room to our name, and we would have to share."

Its Evan's turn to scoff, this time. He smiles, the memories coming back easily. "You're acting like we didnt basically share your room when we were thirteen."

"You were always there." Gregory agrees, but Evan knows by now that Gregory doesn't mean it in a bad way. Never. That's one of the things that have changed since they met. Evan doesnt assume the worst first, and ask questions later anymore. "You got that right."

"Thank god we had Vanessa to tell us what to do." Evan says. "We would be lost without her."

Gregory snorts, shuffling on the couch. Evan glances over, and strangely, being here, in this moment, even though its nothing differnet from what he and Gregory do every day, reminds him so much of when he and Gregory would just hang out together on his bed. Drawing, watching videos, talking and laughing... all of it.

"Its a good thing she told us to get an apartment while we still could." Gregory says. "We would have burned down the entire dorm."

Evan giggles at the thought. It wouldn't be the first time he and Gregory would make a mess in the kitchen. He still remembers how scared he was as a fourteen year old, when he had burned some of the food meant for Vanessa's 'Welcome Home' dinner Gregory insisted they make. The Fazbears house had stunk of char and smoke for days afterwards.

He was terrified at the time. If he had ever done anything like that at his old house...

He shakes that thought away. He does that often. Thinking back to his time alone with his father and brother. His biological ones. It's been a challenge, shutting down his brain when it tries to recall the memories.

Its another thing that's changed. As a kid, he knew nothing about helping himself and his anxiety. He didnt want to. He never saw himself as worthy of deserving relief, and it was so subconscious, little Evan never even realized it.

Now, it couldn't be more different. Hes never been healthier.

Who knew all it took was a best friend for life?

He looks over at Gregory. Who's still recounting some of their old childhood memories. Evan doesnt talk to Michael anymore. The damage he caused is too much to ignore. Evan... Evan doesnt want to see him anymore. Despite Michaels wake up call, it had been all too late. The damage had been done.

Michael missed his chance. Evan had decided that a long time ago. Maybe he should have had his change if heart earlier if he didnt want Evan to find the brother he always wanted in someone else.

Because that's what Gregory is. Its nothing new, they were having these revelations when they were only teenagers. Probably even earlier for Evan. But Evan never stops thinking about how much Gregory truly is his family.

That suprise and shock of the kindness hed received from Gregory from little Evan ten years ago is hard to shake when all hed been taught his whole life is how to hate himself. How he deserved to be treated badly, because if he hadn't been the way he was, he could have made himself worthy. A respectable man. Tough. An immovable rock. Real men dont show their emotions, or even experience them. Real men can defend themselves. Real men start to toughen up at the ripe age of twelve.

Evan is twenty two, now. So is Gregory. This life they'd built for themselves, with such a bright future... little Evan never would have even dreamed of. Little Evan had thought there was nothing there for him. Little Evan had thought there was no light at the end of the tunnel. That he had been doomed from the start. That his nature nipped his figure at the bud before it could begin.

This life theyve built for themselves. When Evan had ran to the Fazbears as soon as he'd turned eighteen with only a bag of clothes, a binder full of drawings, and yellow bear to his name. When he'd shared the room that felt like his own as well growing up with Gregory. When they'd spent those few months together until getting into the same college and choosing an apartment.

This life theyve built for themselves. That Evan would have only seen as a fantasy when he was eleven.

Theyve changed so much. It always shocks Evan every time he sees an old photo, or really remembers what it had been like pre-Gregory. Evan is growing out his hair, now. Before, all hed ever had was a months overgrown generic slickback. But he gets to choose now. Like how he paints his nails. Gregory has never really cared about his appearance, but he saw a photo of his Dad as a college student and immediately went to go replicate the blue streaks in his hair when it was time for himself to go off to college.

Evan almost laughs sometimes when he thinks about how much Gregory really is just an older version of who he was when he was twelve. He's different, like Evan is, but he's the same as well. A constant.

He knows hes the same, as well. Just with longer hair, bolder clothes, and the power of experimentation. Gregory has never been one to care much about his clothes, but to Evan, its everything. To be able to wear what he always wanted as a kid. To not be confined to whatever annual clothes his Father would buy him from the back to school section. Its freeing.

It's in that moment that he thinks back, really thinks back to his life pre-Gregory, and the contrast of the before and after.

It's all too much, in that moment. The memories and the sentiments and the nostalgia. In true Evan fashion, he cries about it.

Gregory has long since learned how to differentiate Evan's tears between his emotionality and a genuine issue. So when Evan begins wiping silent tears away, he just smiles one of those smiles he does, and pats him on the shoulder, pulling him in for a side hug.

Its digging a hole in Evan's chest, this feeling. It's not bad. But it's not exactly good either. It's some kind of a loss, but a hope as well. Remembering how much he loved back then. As much as he loves right now.

"I--" Evan stutters, sniffling. Gregory hands him one of the many boxes of tissues they always have on hand in their apartment. "It... It feels like we need to celebrate, somehow. I mean... ten years is big."

Evans mind floats to a cake. Or a two person party. Or a collaborated drawing. Evan's mind floats to many things. Many options. Ten years is big, right? Something that big needs a big party. Something big to commemorate it.

But Gregory just hums, and lays eyes on the thick shelf of DVDs they have tucked by the wall right by their TV. "How about a movie night?"

Evan's about to interrupt, say something about the milestone, but Gregory continues. "Do you remember all our favorites as a kid?"

Evan stops himself short, almost scoffing, because of couse he does. How could he not, when he and Gregory had stayed up so many times to watch them together, alongside stifled giggles and ice cream straight out of the carton? "Of course I do."

Gregory gets off the couch, crouching by the bookshelf and picking out a select few movies. Evan catches the titles on the packaging from all the way were hes sitting. Every single one of them is special to him.

Gregory deposits the movies on their coffee table, three DVDs spilling out onto the glass surface. "Then I can't think of a better way to spend the night."

Despite Evan's attempts, he cant either. Despite watching these movies almost regularly with Gregory even now, opening the casing feels different in this moment. It feels special. Evan feels like hes thirteen again.

Before starting their marathon, they make a huge bowl of popcorn, pouring caramel on it just how they liked it as kids. As they continue to now. Evan gets the carton of ice cream out of the fridge, handing Gregory his spoon and taking his own.

All they need is a throw blanket and they're ready. It's the exact setup they've done for years. Starting ten years ago today. This tradition has lasted this long, and it will outlive the milestone.

It feels so familiar, Evan cant stop thinking. His emotions are dialed up to eleven tonight. It only increases when the sky darkens outside their windows. He remembers coming home from school with Gregory and just. Immediately piling onto his bed with snacks and pillows and turning the lights off before they'd dive into another movie. Only going to bed when Freddy forced them to.

Because that's what it was. Thats what it still is. Home. All Evan feels right now is home.

They laugh at all the same parts. They cry as well. They cheer. They point out the same things. Nothing has changed.

Sure, ten years is big. But Evan can't think of a better way of spending the anniversary than continuing to do what hes loved to do with Gregory throughout the years. This doesnt mark the end of an era, or a big change. It marks how long hes had the gift of his brother. His family. His real family. The fifteenth mark will, as well. So will the twentieth.

All the tenth mark says is hes had ten years worth of joy and growth. and He'll continue to do just that.

After the third movie, Evan takes a quick look at his phone. The numbers 12:03 look back at him from his lockscreen, a picture of him and Gregory. The date has switched to the 5th.

"You're my brother." Evan says suddenly to Gregory at the beginning of the fourth movie. Gregory pauses in stuffing his face with popcorn to look over at Evan's earnest face. "You know that?"

Gregory chuckles wetly. It seems Evan isn't alone in the sentimentality tonight. "Only since we were preteens."

Gregory pulls him into that same side hug he always does. "You're my family." Gregory tells him sincerely. "You always will be, too. Hell would freeze over before our family would ever say you aren't one of theirs."

Evan chuckles, eyes misty, because he knows its true. He can imagine his family's reactions so vividly. "I know."

They only sink further into the hug after that, the movie continuing on. Theyve long since stopped with the thank yous. Not since they got it through Evan's thick skull that they arent doing him a favor. They just love him.

It's in that moment that Evan realizes that tomorrow is another day. And there are more after that and after that. Theres more milestones to reach, more years to spend with his brother and their family, and he cant wait to experience them.

But right now, he's content continuing a ten year long tradition as a mundane celebration for a non-mundane achievement.

It's not mundane to him at all, anyway. It means the world to him.

Besides, he can't imagine a world where his family doesn't throw a suprise party for him when he and Gregory visit them tomorrow.

ao3 link

[hamsterbellbelle]

Dance Club Ultra-Thin Flat Screen TV  and Modular Wall Panel

[DOWNLOAD - TV] || [DOWNLOAD - Panel] ||

alt. DOWNLOAD 2

- polycount: TV - 22 || Panel - 80 - basegame *TV may requires Get Together pack... - swatches: TV - none || Panel - 56 (7 color x 8 modular style) 

⚠️The TV only plays ONE channel - DJ dance channel.  ⚠️The TV has no audio, sims will not stop to watch. It is basically just a background screen with dancing silhouette animation (and a Llama...) 

⚠️TV and Panel will not show when walls down. 

⬆️some lines will be visible at certain angle when afar for the modular panels

⬆️Panels and TV are thin so you may place objects in front of it with bb. moveobjects on

⬆️TV for short wall and medium wall only. TV can be resized with “[” and “]” key.

⬆️Two types of panel

⬆️swatches

⬆️only blue, pink and green panels have stickers.

⬆️how it looks when placed at corner

[astoundingbeyondbelief]

Kaiju Week in Review (October 15-21, 2023)

Justice League vs. Godzilla vs. Kong #1 is metahuman-heavy, establishing how the Titans of the Monsterverse found themselves on the same Earth as DC's finest and ending with Superman flying off to face Godzilla. It's early days, but the conveniently deserted Skull Island base the Legion of Doom storms into makes me pessimistic that any of the Monsterverse's human characters will show up. Rodan is also absent from the Titan line-up, despite appearing via flashback in the short Godzilla: Fight or Flight comic included in the Monsterverse Omnibus earlier this year. (Toho must be overcharging for Godzilla's supporting cast again.) It should be fun watching D-listers like Behemoth, Scylla, and Camazotz tangle with some of the world's most famous superheroes though.

Sales data for DC comics is effectively unavailable now, but anecdotally this one is doing gangbusters. The downside of snagging it now over waiting for the trade paperback is that DC disperses ads throughout the comic, instead of just at the end like IDW.

Toho announced a ton of U.S. Godzilla merch launching in the U.S. on November 3. Your mileage will vary, but the most interesting baubles to me are the Godzilla Minus One promo cards from UVS Games (to be sold on TCGplayer.com) and the trading cards from Surreal Entertainment (to be sold at Five Below). Very few Godzilla trading cards have been produced in either Japan or the U.S. since 2006, and most of those have been cross-promotions with Magic: The Gathering and Battle Spirits. I have a small collection of random cards from older sets (a couple of them signed), and it'll be cool to expand it a little.

Toho's Godzilla Day announcement also included some news on Godzilla Minus One's U.S. release, which I thought deserved its own section. Tickets go on sale November 3rd—including for "special Early Access Fan Event Screenings on Wednesday, November 29, 2023, in IMAX and large format theaters across the country." So Toho International has outmaneuvered Beyoncé in the competition for IMAX screens, if only for one night.

In other Minus One news, a couple new TV spots are out (and translated by the GODZILLA OFFICIAL by TOHO YouTube channel). One shows off a new Godzilla ability, if you're wary of spoilers. Its world premiere was held beneath the Godzilla Head in Shinjuku on October 18, where the incredible Godzilla Attack Truck also debuted.

IDW's Godzilla Valentine's Day Special, due January 31, dares to ask, "What if the old 'kill the monster or study the monster' argument was foreplay?" Zoe Tunnell, who I suspect is a Godzilla 2000 fan, writes, and Dani Pendergast illustrates. I'd like to thank them both for making a comic specifically for me. The logline:

Is there anything as romantic as seeing the world together? Hopping from country to country to take in the sights and splendor in the fleeting seconds before Godzilla smashes the skyline? Truly, there's nothing like the thrill of an international game of cat and mouse between an intrepid amateur kaiju researcher and a global kaiju-response lieutenant. But when you're up against Godzilla, it's hard to have a bigger "CRUSH."

SRS Cinema has picked up War of the Ninja Monsters: Jaron vs. Goura, the latest no-budget spectacular from Shinpei Hayashiya. The two monsters are basically Godzilla and Gamera, one-upping Giant Monsters Appear in Tokyo, which never showed its Godzilla and Gamera expies outside of the poster. Hopefully it'll be less headache-inducing than God Raiga vs. King Ohga: War of the Monsters. SRS is aiming to release it on Blu-ray and VHS in early 2024, with a DVD to follow later in the year.

Hoshi 35, Megumi Odaka's return to live-action film, opened in Japan on October 21. A new trailer is out too. SRS Cinemas has an existing relationship with production company 3Y, which previously made The Great Buddha Arrival and Nezura 1964, so I'd expect them to license this one too.

This Netflix ad for an online convention of sorts includes the first snippets of footage from Ultraman Rising, the Tsuburaya/ILM animated film it's distributing next year. The animation is miles above the Netflix Ultraman anime, that's for sure.

[vivianne-is-tired]

Y'all, Brucie Wayne is a scam.

So I saw this post (Credit to @frownyalfred) and it got me thinking about this oc(?) ig that stumbles upon Bruce hiding from people in an office, cracking down on files he now has access to for a case?(the reason he came to this gala in the first place)

Then the oc(who works for the host of the gala and is the head secretary) comes in to grab something for their boss, only to find Bruce Wayne in all his glory, sitting at their bosses desk sifting through confidential files like he owns the place. He doesn't for once, the one oc worked under is one of the businesses that aren't under his empire.

(He wouldn't be caught in the first place but let's say he was found) Now, this could go either of two ways, but before oc can react, Bruce pulls a Brucie Wayne and somehow manages to diffuse the situation ahead of time so oc is relaxed albeit very concerned at the "drunk mess" crying on their bosses office desk(the more convincing the act, the better).

You might think this might be the end of it, but no. This just keeps happening. Too. Many. Times. Bruce needs more evidence to make a solid case and a breakthrough, and oc can't really ask why. Not in their business nor pay grade.

It gets to the point where oc now anticipates the visits and prepares for them(partially because they now figured/guessed their boss is probably selling part of their shares?or equity?). Are they meeting up to discuss and aren't dotting it down in the schedule? probably. It's not like oc will ask, they don't want to get fired.

They don't know why Bruce Wayne out of all people is collecting files every time he visits, they can only guess because they're too afraid to ask.

One day, the news break that their company's sales just nosedived out of nowhere due to involvement with a criminal organization and everyone is in disarray. oc takes eons to get to the office(partially because it was supposed to be their day off) because of traffic due to the news stations trying to squeeze information out of the employees and any passerby, and New Jersey traffic overall.

oc tries their best to avoid press and enter the building. They manage, and it's a mess. Papers everywhere, people taking multiple phone calls, yelling. Just multitudes of chaos that came out of nowhere.

Oc can only guess what the problem is. So they head up the elevators not being used, people too busy on their own floors trying to control whatever the damage is to worry about taking the elevators, and oc arrives at their bosses floor.

It's even worse than they thought. There's yelling, screaming of frustrations, and in the midst of it are cops. oc can tell they're cops. They're manhandling their boss towards them with some difficulty, met with resistance and their badges shine against the lumen fluorescent light.

oc's boss is screaming at them but they can't hear, because they just realized something. Their boss was actually involved(they were giving them the benefit of the doubt, foolishly).

Hours later, oc crashes on their apartment couch in exhaustion.

With their boss in police custody and investigations opened, interrogation and basic harassment from the press, they make it back home with barely held tears of frustration. They should've just quit when they had the chance.

Now they were needed at the court case to be held a week from now. Having such a high ranking position has never been so unrewarding.

Hoping for some distraction, oc grabs their remote, stretching and feeling their taut muscles pop in relief. They press the power button as the TV comes to life, the black screen brightens to show the news.

Great, just what oc needed.

Before they could change the channel though, something catches their eye. It's a blurry photo, one that the people of Gotham were familiar with. oc really wasn't but they perk up when a side by side photo of their boss and blurry photo of Batman shows up.

oc turns the volume up, clicking the remote's sound button profusely, uncaring of the loud amplification carrying to their neighbors.

"...our sources state that the Dark Knight got access to secret files with incriminating evidence due to some inside help. It seems the caped crusader put another bad man behind bars yet again. it's such a shame for (boss' name), really, he couldn't keep this under wraps for long without the protector on the case! To think such a repeatable man had such a dark secret. Hm, In other news..."

oc can't even begin to process this. Because again, how did the Knight of Gotham manage to have inside help....oh...oh.

Bruce Wayne. Bruce Wayne had access to the files. Batman had access to the files.

It makes sense. Most of the problems in office arose from the files Wayne overlooked. But, why did Wayne make it so easy for oc to connect the pieces? Why not sneak in and take the files instead? Batman is known for his disappearance act.

oc needs a drink, for once.

[killian-whump]

Identity

Okay, so all jokes and fun aside... Let’s talk about it!

What do you guys think? What did you like? Not like? Do you think it should’ve been picked up? Or do you agree with it being passed on? Let me know!

In the meantime, I’m gonna tell you all what I think, because I love to hear myself talk talking seriously about Colin’s work :)

First off, I want to remind everyone that this is old work. It’s from 2011, 12 years ago, so we can’t really compare it to his more recent projects, because Colin’s always growing and improving as an actor. I think he did a great job here, but I feel like he would do even better in a role like this today. I feel like Colin has a lot more confidence now, and also allows more of his own natural charm to shine through - things I think would make John Bloom jump off the screen.

That said, John Bloom is a great character and I can definitely see why Colin was attracted to the role. They lined him up to be a brilliant good guy and bad guy - all at once. And you have the suspicious co-worker and the trusting co-worker... and the nuances and hints and secrets being revealed throughout the episode. Great stuff!

Unfortunately, I think the problem with the show itself is that they buried too much of that stuff in a completely unremarkable police procedural. The intro to John’s character, the expensive watch, the badge, the getting ready for work bit... It all lays a solid groundwork, but then they mire that down with a not-too-exciting identity theft case until the last few minutes of the show. Then they one-two slam you with a cryptic clue said by the Perp of the Hour and a reveal of what the whole deal is with John Bloom (and, additionally, what they were actually showing us in the beginning of the episode).

Now that whole cryptic clue in the beginning, slow burn subtlety, and abrupt cliffhanger-esque reveal at the end can work in some cases - but I don’t think a TV pilot is necessarily one of them. Or, at least, I don’t think this TV pilot was one of them. Gods know we don’t need yet another police procedural on TV, and we definitely didn’t need more of them in 2011. There has to be a really good hook to a procedural for it to get picked up and see success. And John Bloom’s nefarious double life would’ve been that selling point. Yet that opening sequence and the hints and comments made throughout the show did little to really sell that point. They point out that John used to work undercover, that he helped bring down an Irish Mafia ring or whatever, and that there’s suspicions and hints that he might not have left everything behind.

THAT’S NOT WHAT THEY HAD THERE. Bro did not have some baggage and residual issues left behind from his undercover days. He had a whole fucking airport operating out of his backyard without anyone noticing or filing a noise complaint. Dude was straight up living two opposite lives with different wardrobes, occupations, and accents (yay!) and that shit would’ve been fucking interesting as hell to watch.

They shouldn’t have even tried to sell this as a police procedural with an enigmatic former undercover agent. This should’ve been “John Bloom is fucking wilding out here and he might solve a crime or two each week if you’re lucky.”

Instead, they basically spent 40 minutes trying to sell us on a used bicycle only to go “Actually... it’s a brand new car!” at the last second. Only problem is... when you’re a network TV pilot, your audience has already gone, “But I don’t need a used bicycle” and changed the channel before they even get to the big reveal. Which is why I think the pilot didn’t get picked up by anyone.

So yes... my final conclusion is, as almost always, “Needs more Colin.”

Except, to be honest, it didn’t really need more Colin. He was in the show a lot, and they used him quite well and he did wonderfully at the role. They just needed to show us more of John Bloom’s other side in the pilot, rather than saving it for the last minute shocker reveal. Don’t bury your most interesting part of your show under an entire episode of run-of-the-mill case-of-the-week nonsense! Let that beautiful Irish Mafia Bastard shine!!!

Addendum #1: I have to admit that I have never met a “___ actor playing an American pretending to be ____” scenario that I didn’t like. This one included. I would’ve watched the fuck out of Colin playing an American pretending to be an Irishman 😂

Addendum #2: I would bet my entire life that John Bloom's undercover persona was originally in the Italian mob, but Colin showed up like, “Maybe he could be Irish? Maybe? Irish? Think about it? Yes?”

Addendum #3: I know he wouldn’t and doesn’t, but I will forever picture Colin showing up at directors’ houses at 3am, popping up unannounced in their kitchen windows, coming in their pet doors, etc, etc, just being like, “Maybe he could be Irish??” “Irish?” “Did you consider the Irish thing?” “Iriiiiiiiish?”

[primatechnosynthpop]

Ok since @urineedward asked here's the vision I have so far for my Mel Venkman au (that's what I'm calling it even though that wouldn't actually be her legal name in this concept... also despite me calling it an au it's not not canon compliant, technically)

Mel's mom realized too late after having a brief relationship (or possibly just a one-night stand) with Peter that he was kind of a creep and a jackass and generally not good father material, so she didn't tell him she was pregnant (he didn't reach out to her again either; if he had she might have told him) and generally wants nothing to do with him

Mel starts asking if she has a dad and if so who and where he is basically as soon as she's old enough to grasp that most children have two parents. Her mom is pretty evasive, but that only drives Mel's curiosity further

When the Ghostbusters' commercials start airing on TV, her mom would always sigh and change the channel, which got Mel's attention (she'd be about 5 or 6 at this point). She feels oddly drawn to one of the men in the commercial, and would loudly protest that she wants to see. After finally getting the chance to see their commercial in full, staring right at the screen totally blissed out the whole time, she proclaims that she has a crush on Dr. Venkman and wants to marry him. Upon hearing that, her mom is like ohh ok I need to nip THAT in the bud before things get really weird around here, so she finally sits Mel down and explains the situation

Of course as soon as she knows the truth Mel immediately insists on meeting her father. Her mother argues with her about it, but Mel ~always gets what she wants~ and so her mom reluctantly agrees to take her by the firehouse to meet the ghostbusters-- but acting like Mel is just a random kid who happens to be a big fan, NOT telling Peter or any of the others the truth

It's kind of a secret test on her part to see if Peter is worth giving another chance, not romantically but in terms of being a part of Mel's life. Unfortunately he fails this secret test miserably by A) not remembering Mel's mother, and B) smoking and making rude jokes around the small child. Mel's mom vows to never take her back there again, but for Mel it's one of the best days of her life

Just as Mel and her mom are leaving Janine comes in and says "aww who was that Dr. V? Your niece?" and when Peter says no, it's just some strange weirdly clingy kid, Winston narrows his eyes and is like [mystery fan mode engaged] "y'know I wasn't gonna say anything but she does look a lot like you" at which point Ray gets a worried look and goes "uhh yeah Peter I think I recognize that woman, didn't you go out with her once?" And ok I've seen conflicting headcanons on this but if Egon knows about Callie at this point he's sweating through the whole conversation. And when Peter goes "what, no, if we had a kid together the lady obviously would have told me" Egon kind of wants to strangle him

Over the next several months Mel keeps trying to meet her dad again any way she can, from making phony calls saying her house is haunted to trying to jump out of her mother's car and run after the Ecto-1 if she sees it on the street

Between GB1 and GB2 when they're shut down, Mel's mom tells her something like, "see? I told you he wasn't a good person. He and his friends were just scammers trying to take advantage of people" but Mel is NOT having it because in her father-stalking efforts she's seen them at work and knows they were legit. During this time she watches World of the Psychic religiously

When Mel hears the former ghostbusters are available to book for birthday parties she jumps at the chance. When Ray and Winston show up instead of her dad she's sooo pissed off and tries to blow them up with her mind, but for them this basically confirms the theory that she is in fact Peter's daughter or at least really thinks she is. They tell him to try talking to Mel and her mom but Peter is like "what am I supposed to do? Show up at this woman's house unannounced? Or would you prefer I tried talking to her ten-year-old daughter in private, on the schoolyard maybe?"

...Alright I haven't really nailed down how it would go from here-- maybe after the events of GB2 Mel's mom finally comes around after seeing that Peter really has grown and changed; maybe something happens to Mel's mom (possibly even orchestrated by Mel herself) and she ends up in Peter and Dana's care; or maybe nothing changes aside from Mel slowly gaining more freedom as she grows up. One way or another, they form a more reciprocal father-daughter bond over time, but it always stays a bit messy (because really, how could it not)

Mel came to resent her mother for keeping her away from her dad (willfully ignorant of her mother's very valid reasons) and latches onto Dana as a sort of replacement mother figure in her teenage years, although not quite to the extent of a full-on stepmom. She doesn't really form a familial bond with Oscar, but she does babysit for him a fair bit, and is jealous of him getting to have her father as a stepdad

I feel like this goes without saying but Mel studies psychology because she's inspired by her dad <3

Peter gives her tips on how to seduce people which she uses on Doug when she meets him. When he gives her these tips he does not realize that Mel has her eye on someone considerably older than her and is not happy when he finds out. He never really gets over this and continues to hope that Mel will wisen up and leave Doug eventually

Mel talks to her dad on the phone about the conchords like "...and one time I snuck into their apartment and went through their cupboards and guess what? Bret has a mold collection <3 isn't that sooo cute? Just like Dr. Spengler!" And Peter is like *melancholy slightly bitter sigh* "yeah just like Spengs huh... well listen, if those kiwi boys of yours ever start going on about how the world's going to end, you get the hell out of there, okay sweetie?"

It's absolutely imperative that Jemaine and Bret have no idea who the ghostbusters are. Mel introduces them to her father and they're just like "??? Who's this guy?" Both Peter and Mel are obviously scandalized; Mel is like "umm excuse you he literally saved New York in the 80s!!" to which the conchords point out they weren't in New York in the 80s, they were in New Zealand

(Murray thinks he knows who the ghostbusters are but he's actually got them mixed up with the men in black. Dave absolutely knows who they are though-- Dr. Venkman was his idol growing up-- and he's almost as scandalized as Mel that the kiwis don't know about him)

Idk exactly how close Mel would be to the rest of the team especially since this is movie verse and the ghostbusters as a business were never around for all that long in the movie timeline the way they were in the cartoon or the comics... but I think she's at least enough of a figure in their lives and vice versa that she convinces Ray to attend a FotC concert at some point. He ends up loving it and becomes their second biggest fan

[pollen-blogs]

My thoughts on the Owl House finale

So you guys got the silent treatment from me for a while, sorry about that lol. I’m finally back (sorta) to briefly talk about the Owl House Finale, and I might dive deeper into analyses and shit as a future video on my YouTube channel. I’ll talk both about what I didn’t like, and what I did like in that order so we can end this post on a good note. Here we go!

If you click keep reading, you’re okay with seeing spoilers for watching and dreaming.

I didn’t like:

Not getting to know more about the whole Caleb - Belos - Evelyn - Hunter situation. Hunter still doesn’t know that Flapjack used to be Caleb’s/Evelyn’s palisman, that he is technically related to the Clawthornes, or that Caleb stopped being a witch hunter since he legit dated one. I would have given an organ to live in a universe where in the five seasons this show deserved, there would have been an episode where idk, Hunter would have communed with the dead and got moral support from great great great great great [...] Grandpa Caleb and Grandma Evelyn. 

The close to no explanation as to why the Titan was trapped in that in-between space, why was Luz here and not actually dead, and why couldn’t he use the last of his magic to go back himself. We don’t know a lot about papa titan and it’s sad because I really like him. The past of the boiling isles as a whole is still a very abstract concept, even the characters don’t know a lot about it, or the truth anyway. 

Willow’s body in the time skip. Now I believe this is the point where people are rolling their eyes at me, but that’s okay I stand by what I’m about to say. If you write in representation in any piece of media you are creating, you can’t just write it out afterwards. Allow me, a mid-sized girl with a body shape similar to pre-time skip Willow, to deconstruct the arguments used against the people who spoke out about it. “Isn’t losing weight a good thing?” --> It depends on why someone lost weight, but in Willow’s case, no since she isn’t a real person. She’s fat rep. She was written to be fat to represent fat people, especially potential fat kids who watch the owl house and want to see people like them on screen. “She works out everyday, and she’s a flyer derby player, of course she lost weight” Skinny ≠ healthy + Fat ≠ unhealthy. You can be fat and an amazing athlete. Wrestlers are often fat and it gives them an advantage. You can be fat and also have visible muscles in other parts of your body like your legs or arms. If she was a real person, that wouldn’t be a problem obviously, but she’s not. The only reason she is fat is for us to have representation and see ourselves on screen. We would have went crazy if a tv show announced that the main character is a lesbian, only that in the final season she starts dating a man because she found out she was just confused or some shit. That’s basically what happened with Willow. Anyway, much love to the animators who tried to fix the damage and draw her with an accurate body type in some scenes here and there of the time skip.

What I did like: 

Belos’ death. A pathetic death for a pathetic man. The panic settling in him as he slowly realises that there is no way out for him, the last futile attempt at fooling someone in hopes of getting his power back, the growing frustration the more he understands he has truly lost all control over everything, even his own body, while still refusing to admit he inflicted this fate upon himself for absolutely no logical reason. He isn’t given a death where he breaks down and sees the error of his ways with terror as the end closes in on him, no. He is crushed, much like his dreams of being the brave martyr witch hunter general who saved humanity through any way possible. 

Luz’s death. A slow, quiet, painful yet still beautiful moment that she somehow accepted. Much like Luz, no one knew what to say, and the small moment where we didn’t know what would happen to her were genuine torture. I’m a sucker for MC’s who die but not really (Hi Anne, Adora, Magnus, Hazel and now Luz.)

Papa Titan. Follow up, Papa titan being genderqueer/nonbinary idk, a Quing. 

The fact that there is a way for Luz to go back to the boiling isles and the human realm. Really happy they didn’t pull a second amphibia parallel lol. 

LILIT’S HARPY LOOK AAAAAAH-

Alador x Darius, I see you (Darius’ blush, him shaking Alador like a ragdoll). I have a thing for ships that barely get talked about in canon and are about old gays.

WAFFLES ToT

Amity’s new hair. Some of my friends don’t like it but oh well. The little Grom Queen crown crystals fit her. 

THE COUPLES EXCHANGING JEWELRY

The ending scene. We got to see Luz’s quince (kinda, I still would have loved a full episode but oh well). The fourth wall break where everyone says bye to the collector but also to us, seeing all the characters we’ve loved for years grouped together to celebrate this. It’s bittersweet, mostly sweet.

[keepingmyoptionsfluid]

Look, I love 9-1-1 so very very much but coming at it objectively (and as someone who works in TV, and has done for several years), I would not be surprised if this was the final season. I would be gutted if it was canceled but not surprised. Shows which I never thought would be cancelled have been left to dry up, over a decade of production has ended. I worked for two and a half years for a flagship show on a major global network (not giving specifics cause I ain't gonna dox myself when I've seen the behaviour of some people on this tag) and they are really struggling at the moment.

911 simply does not have the viewership it once did, the actors are all getting more and more famous (thus more and more expensive) and the hugely negative reactions online are super damaging. It's one thing to have people complaining about the show while still watching but the drop in viewership combined with bad press, and review bombing (literally what the fuck guys... If you didn't like it, you don't need to ruin it for everyone else? How vindictive and nasty can you be?) can be seriously damaging.

Channels are leaving things to the last minute to renew shows because they are running out of money and this uncertainty can be seen in the writing - season five ended in a way which would be a reasonable final ever scene - and there is only so much that you can do when every season ends with the same vibes of "this could be goodbye forever".

Also, the show is just changing - which is natural over time. Whether you are a buddie fan or not, the Buck & Eddie relationship was a huge part of the show and the writers have basically nuked their screen time for whatever reason which is causing a lot of issues with fans. The human stories are just starting to struggle as storylines aren't being explored and the repeated refusal of the writers to ever have on screen make-ups after issues leads to a lack of trust. If two characters have problems that are a huge plot point, you cannot simply have all make up and big moments off screen (see chimney punch, madney breakup, buck parents make up etc). Characters are making increasingly OOC decisions for reasons which are never explained which leads to the conslusion that either the writers are trying to desperately avoid certain situations with specific characters, or they simply do not understand their characters and aren't willing to try and explain things that don't make sense.

They're running out of storylines too as we see with them getting frankly more and more ridiculous. Now I for one don't mind this, it's a fictional show and I've read fanfic much more bonkers than canon, but for a casual viewer, there's a limit to how much people are willing to let go. (I will take literally anything because I am long past the point about caring about reality in fiction. I like liking things and you're not gonna stop me).

This isn't meant to be a negative post (although it's come out more depressing than I thought) but realistically, I'm not holding out hopes because TV is a numbers game and bad ratings and bad reviews lead to cancelled shows. If you don't like an episode, don't rate it. Would you genuinely prefer the show cancelled because your fave didn't have a big role in an episode? It's literally an ensemble cast so everyone gets their own big storylines.

Anyway, here's hoping I'm wrong and I can joke about this miserable post in the future. I'm off to read 911 fanfic 🤣

[badedramay]

No but actually, your assessment of how people lack appreciation for nuances in dramas is so true. It’s not just acting; people can’t appreciate subtleties in writing, either. People always complain of Saas-bahu dramas yet they can’t handle anything besides the overt nature of good Vs evil.

Mein is a good, recent example. Mubashira is — for Pakistani TV standards — a sort of well-written character with bipolar disorder. I say this as someone in the medical field and with family members with BPD. Ayeza has even said mubashira has BPD, but if you read the comments the majority of people are saying Ayeza is “overacting”. Like no bro she’s not overacting (imagine saying Ayeza khan can’t act lolol) she’s having manic episodes, and pretty good ones for PTV standards, but people aren’t willing to appreciate how much work she has put into this character because this character can’t easily be boxed into a category. (To be clear the writing of mubashira isn’t totally flawless like they confused a psychiatrist for a therapist but again it’s the best I’ve seen)

Slightly related but wahaj recently wore a pink Kurta for his MayaPret shoot and the comments under there are filled with demasculinizing wahaj, and this is coming from all genders. Like appreciating nuances are one thing. We have a longgggg way to go if men are still made fun of for wearing pink.

you said it. from what I have observed in terms of how acting is termed by the reviewers as "good" or "bad" very basically falls under the description of, "was it obvious?" even then it has to be obvious at just the right decibel. otherwise it's loud and overacting.

another thing that is often not taken into consideration is how much of a say TPTB have about how a project is executed. i know for a fact that different directors demand different kinds of acting from the actors. some directors specifically WANT the loudness because to them that's how a particular emotion will be best show on screen. some directors go for the subtlety. some want silence to do its job while the actor just occupies the space. and there are cases where the directors are instructed by the channel heads to shoot the project on a certain frequency. no project is made in a vacuum. there are so many decision makers operating behind the doors whose names we don't even know. we only see and react to what we have access to.

khair, acting is an art and while it can be studied and critiqued, there's no set-in-stone parameter by which we can judge its quality. or you can if you really want to but god i am just so tired by life in general to want to get into all that. so, I just stick to the very basic rule for judging an acting performance - did it move me? if yes, then it's a good acting performance. if not then bhale hi uss insaan ko laakhon oscar kyun na mile ho, for me it will never be good. for instance, Iqra Aziz was the best part of Ranjha Ranjha Kardi even if Imran Ashraf continues to make Bhola his entire personality. i won't sit and argue with anyone about it - that's just how my heart works.

AND OMG YES PLS TELL ME ABOUT HOW *FINE* WAHAJ LOOKS IN PINK?!?!?! THE MAN CARRIED THE COLOR BEAUTIFULLY!! SUCH A WELCOME BREAK FROM ALL THE MONOTONY OF BLACK&WHITE!!! FUCK ALL THE HATERS! HE'S A BEAUTIFUL MAN AND THE SOFTNESS OF THAT PINK WITH HIS UNDENIABLE CHARM CREATED AN ABSOLUTELY WONDERFUL PICTURE!!! the ones hating on him are only jealous cuz they know they cannot carry the color well.

[adultswim2021]

Robot Chicken #59: “President Evil” | September 28, 2008 - 11:30PM | S03E19

Man, I simply don’t care for this TV program. I’m also a little tired of the needlessly exhaustive way I cover it. Sure, I have the good taste to skip an inconsequential channel flip segment here and there, but me going sketch by sketch?? Just so I can briefly describe it and then be sassily dismissive of it? Who needs it! 

This one has Dig Dug, but real. This one has a sketch where a dad is mean to a doll. An Oceans movie but it’s more guys (some of them weird). And, I guess I’ll type slightly more about this one: A Tiger Woods sketch which I didn’t find funny until the end, when the reveal is that it’s a Nike-style ad and the slogan is “Tiger Woods: Mostly Chinese”.

The show does what it often does by having the final sketch contain a bunch of themed-sub-sketches. This time it’s nasty young people in a movie theater, shown very briefly between parodic movie trailers, but for some reason the Dig Dug sketch and the Oceans sketch isn’t part of it. Hell, they show ads in movie theaters, so the whole episode could’ve been this, and then they could have called it “Robot Chicken goes to the Cinema! Ah! What luck!”. 

The sketches in this are: A Michael Bay movie but it’s only explosions, a Gerald Ford movie that’s just him falling down the stairs in slow motion, A genre parody called “Young People on a Rythm Team”, one where Yogi Bear kills people and then Boo-Boo gets revenge called Ram-Boo-Boo, and they all fucking suck. The Yogi one is especially bad; it’s just Yogi killing people and then Boo-Boo as Rambo is basically tacked on to the end of it. 

The last trailer is 2001: A Space Odyssey but with boobs added to it, and this is accomplished by having a Playboy model named Robin Bain appear over the movie via greenscreen, with her shit out. This is pretty bird-brained, and even though I like almost any nude woman, I think Robot Chicken should stay in it’s lane when it comes to stuff like this. That being said: I checked the DVD to see if it was uncensored. It is. Huh! I suppose this is technically a first for Adult Swim, then, even though one had to wait until DVD before seeing them.

Anyway, I looked that woman up to see if she’s done any you-know-what with a you-know-what, causing it to you-know-what all over her you-know-why scenes, like the kind I like, but this cursory googling revealed that she is mostly a writer/director now, just like I'm not. Good for her.

EPHEMERA CORNER

MAIL BAG

I have a list somewhere of the weirder things turner S&P bleeped out on [AS]. My favorite one is "Bush Meat" from Black Dynamite. Stupidest one has to be a Loiter Squad episode where a character mouths a swear word in a silent film and they bleep it out even though there's no audio. Kinda related, I think pretty recently they cracked down on on-screen gun suicide, or at least when you actually see them pull the trigger. They cut it out of a Lupin VI episode. I could talk all day about S&P.

Those are both insane! I remember a showing of Back to the Future II (not on Adult Swim, obviously) that bleeped "butt-head" in a scene where Future Biff and 50s Biff say it to each other over and over, but later left in "ass". That stuff is so puzzling.

Kon writes:

Robot Chicken got cancelled because zoomers these days don't even know what action figures are, maybe they should bring it back with freaking IPADS, okay???

If they brought back Robot Chicken but it stared iPads and I could pick the shows that were playing on them??? I would be IN HEAVEN. If I could make Skibidi Toilet be on every screen, even better

it so funny to call robot chicken RC it make it sound like you are talking about the soda lol

If you like that you're going to love my soda-themed parody of the National Anthem, it goes like this:

♪ Oh Say Canned R.C.

That's all I got.

you omitted the best part of that final sketch which is the co-worker non-chalantly saying "hi larry" as he's about to gun mr. henderson and carol down.

Sorry, my friend Brayden, who probably wrote the last bag mail, is going to call me out for reusing my old "Oh Say Canned R.C." joke which I did on a message board with 5 people on it probably like ten years ago. He is probably testing to see if I will steal from myself. I just wanted to say right here and right now that it is my right and my prerogative to do whatever I want with all words. ALL. WORDS. Anyway, yes, that is funny, and it's a reference to McLean Stevenson's celebrated follow-up to M*A*S*H, Hello Larry.

the guy who plays Larry is a real star, sad he shot himself to death, removing himself from the canon.

I hope I mentioned this elsewhere, but Tim & Eric sung that guy's praises to high heaven on various commentaries (the Valentines Day Watchalong most recently). I don't know, I just like the idea of them finding a capably funny actor in the midst of all the eccentrics they cast. It is my favorite thing to think about.

[goldenpinof]

first of all, how dare you

but here's why I chose dapg: because while I would LOVE to have weekly liveshows back, I don't like how so much of it is taken up by them just saying hi to people in the chat. I would much rather have a weekly (or bi-weekly, hell I'd even be happy with monthly) podcast-type vibe from them... something like the stereo shows but preferably without the audience participation.

also they still owe us a wedding

i started typing the answer and my phone died, so rip to 3 paragraphs and let's start again 🤡

they do owe us devan wedding! 🔫 but i wouldn't consider one video a comeback.

i was just thinking, do i want edited 15-20 min long videos 4-6 times a month OR 40+ min long liveshows where they talk about all kind of bullshit and update us on their lives. liveshows sometimes turn into unfiltered rants while you just look at the screen thinking waaat???? they are usually randomly solo or joint so we cherish joint ones more (fucking nostalgia). i get that the greetings part is annoying but it’s only like 5-7 mins combined and some group chats’ names are so unhinged they are worth reading out loud. any audience participation has pros and cons (chat or audio) but it also lets dnp call us mildly offensive but more importantly hilarious names. and maybe MAYBE i enjoy it more than videos that are shorter and edited, so even if there’s something jaw-dropping it went through at least 2 stages of editing.

gaming livesteams are a different cup of tea. and i’m not sure where it belongs because we had those both on dnpgames and during Phil’s liveshows. and the vibes were basically the same. so twitch is the ultimate answer. but if we can throw some gaming into liveshows like Phil did when Dan disappeared then for me, MAYBE liveshows win. weekly, solo or joint randomly, with 3 mins of hi-s and then 3 mins of bye-s, with camera cleaning and shout outs, but i’d take that if it means 30+ mins of Dan and/or Phil talking about how they went somewhere, what movies/tv shows watched, what books Phil has read or what they got for birthdays. i’ll even take topics that i don’t care about, because the way they talk about them is quite interesting in itself. and while gaming videos have some elements of this, i’d rather sacrifice the gaming part than the whole concept of liveshows.

looks like Phil was right, i was watching the gaming channel mainly because of the bants. but at the same time, some of the games were very interesting and i’d pay my own money to see them play Ori. i want them to talk about aesthetics, please :((

this is hard. that’s why i’m not voting on my own poll 🤡🔫 i don’t know!! because if we get at least something, that would probably be enough?! but also no. because we had both at the same time and then we lost both almost at the same time (shout out to Phil for carrying the phandom for a bit). and now we don’t have either, and i don’t know what the return of any the two could mean. gaming liveshows? which means gaming rarely randomly thrown in Phil’s or joint liveshows. but also original gaming videos were so fun. i still laugh watching them for like the 5th+ time.